![]() Screen play adapter: Michael Petroni who's been associated with such diverse works as "The Rite" and "Narnia" is equally at home writing for the BIG screen as well as TV. Some did not like the fact that death (as voice over) begins to tell the story, but this also served to make it all the more compelling. From the very opening scenes this film draws you in. They can read meaning (often their own) into works of crude ugliness, yet feel they have to hide from life affirming warmth. I've read several 'professional' reviews for this work and it seems too easy for some Critics to sit in their comfortable cinema seats, or arm chairs in the safety of their homes, and write, what often amount to trite comments. It gleams like the sun, glistens like rays on the surface of water - for here is a dark tale that lights up the very soul. "The Book Thief" is certainly a rare kind of film for its day. But the power of the story and the acting generally compensate for this short coming. Some viewers may find this disconcerting. Having "Death" as the narrator right from the start seems to suggest fable, but the story itself veers sharply to drama for most of the 2+ hours, and then, noticeably at the end, reverts to fable. If the film has any fault at all, it is the decision by the film makers to try to walk a fine line between drama and fable. Hats off too to young Nico Liersch who plays a boyhood friend of Nelisse. Many of the core scenes with Nelisse, Watson, and Rush should be required viewing at any acting school. ![]() "The Book Thief" has wonderful photography by Florian Ballhaus, an excellent musical score by Golden Globe and Oscar winning John Williams ("Schindler's List", "ET", "Star Wars"), and best of all, marvelous acting from Sophie Nelisse as the young girl, Geoffrey Rush and Emily Watson as her adoptive parents, and Ben Schnetzer as the Jewish boy they hide. "The Diary of Anne Frank" is the classic example, but more recently, "No Place on Earth" (2013) covered some of the same ground as did "The Boy in the Striped Pajamas" (2008) and especially "Lore" (2012). This isn't the first film to adopt this perspective. Nazi rallies, anti-Jewish pogroms, Hitler Youth groups, conscription, book burning, daylight bombing, propaganda films and posters, and the whole gamut of events are seen from her perspective. ![]() Both tell the story of a preadolescent girl who is adopted into a German family living in a small village in 1938, and then by following her life we get to view war on the home front for Germany. Those familiar with the 2005 award winning and best-selling novel by Australian author Markus Zusak will not be disappointed with the theatrical version which differs from the book in only minor details. ![]()
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